Date / Time
- October 11, 2019
7:00 pm - 8:30 pm
The Bibliococktails series celebrates great literature and great libations.
The Bibliococktails series celebrates great literature and great libations.
How did Melville’s thinking about American race relations shift after the Civil War? How does this shift help us better understand white nationalism in our own era? This talk addresses these questions by contrasting Melville’s resistance to racist thought in his antebellum writings (especially Typee, Moby-Dick, and Benito Cereno) with his seeming embrace of white (more…)
From Father Mapple’s sermon to the very premise of The Whale, the Biblical figure of Jonah hovers throughout Moby-Dick. The ancient story of Jonah is a shared text that has influenced literature and religion across cultures and centuries. In conjunction with the Rosenbach’s American Voyager exhibit, scholars and faith leaders from Philadelphia will explore the importance of the prophet Jonah to understandings of Judaism, Christianity, and Islam.
From Father Mapple’s sermon to the very premise of The Whale, the Biblical figure of Jonah hovers throughout Moby-Dick. The ancient story of Jonah is a shared text that has influenced literature and religion across cultures and centuries. In conjunction with the Rosenbach’s American Voyager exhibit, scholars and faith leaders from Philadelphia will explore the importance of the prophet Jonah to understandings of Judaism, Christianity, and Islam.
Sea monsters in Jewish tradition bear with them always tales of the beginning of time, and its end. Jonah, riding in the belly of his great fish, is carried uncertainly between them. Johan has baffled Jewish interpreters for centuries, and ignited a wide range of conflicting interpretations. The rabbis said the eyes of the whale were like windows though which Jonah could observe the foundations of creation – we’ll look back through at him to try to get a hold on what has made this short book such a fathomless riddle for Jews.
The Whale: A Love Story, a rich and captivating novel set amid the witty, high-spirited literary society of 1850s New England, offers a new window on Herman Melville’s emotionally charged relationship with Nathaniel Hawthorne and how it transformed his masterpiece, Moby-Dick. Author Mark Beauregard joins us to discuss his new work.
Scott joins us to discuss Herman Melville’s lesser known masterpiece, the novella Benito Cereno, published in 1855, as the nation stumbled toward civil war. Like the two sides of the coming war, Melville saw in the nation incommensurable ideals, completely in opposition but equally a part of the American body politic.
Herman Melville acquired some 1,000 books prior to his death, after which his library was dispersed among family members and second-hand book dealers. Less than a third of the collection is known to survive, but copies with his autograph and notes continue to resurface. This program will discuss ongoing efforts to trace the dispersal of Melville’s library and analyze evidence of his reading, including technical recovery of annotations that were erased after his death, and will address the role of Melville’s engagement with books in the formation of his genius and the creation of his art.
The course provides an opportunity to read, study, and discuss Herman Melville’s 1851 novel, Moby-Dick; or, The Whale. The story tracks two parallel quests: Captain Ahab’s to kill and thereby take revenge on the white whale; and Ishmael’s to know and understand the white whale.
Director Kittson O’Neill works with members of the cast to explore a scene from their new production of Moby-Dick. Music, movement, and the magic of found objects are all essential to this very theatrical exploration of one of the greatest stories ever told.