• Bram Stoker: notes and outlines for Dracula;

• George Washington: more than one hundred personal letters;

• Lewis Carroll: more than 600 letters, his rarest photographs, books, and more;

• William Blake: original drawings and books;

• Cervantes: an extremely rare copy of the first edition of Don Quixote and documents in Cervantes’s hand;

• Phillis Wheatley: first editions of the first book published by an African American;

• Thomas Jefferson: various lists pertaining to enslaved persons on his plantations;

• Charles Dickens: the largest surviving portions of the manuscripts for Pickwick Papers and Nicholas Nickleby;

• Joseph Conrad: manuscripts for two-thirds of his literary works, including Lord Jim, Nostromo, and The Secret Agent;

• Mercedes de Acosta: letters, photographs, and ephemera relating to cinema and lesbian history;

• Dylan Thomas: the manuscript and typescript for Under Milk Wood;

• Girolomo da Carpi: more than 150 drawings from his Roman sketchbook;

• Fragonard: original drawings for Orlando Furioso;

• George Cruikshank: over 4,000 caricatures and book illustrations, many of them signed;

• Samuel Yellin: a pair of elaborate grillwork doors; over a dozen drawings.

American literature includes first editions of Anne Bradstreet, Phillis Wheatley, and Nathaniel Hawthorne, presentation copies of books by Herman Melville housed in a bookcase that once belonged to him; 19th-century dime novels; and first editions and letters of Emily Dickinson and Christopher Morley. The single largest collection, that of the poet Marianne Moore, encompasses her personal and literary papers, including correspondence with contemporaries such as Ezra Pound, T.S. Eliot, H.D., William Carlos Williams, Elizabeth Bishop, and Langston Hughes; as well as her working library, which spans a wide range of subjects, including literature, religion, art history, natural history, and sports.

One of the greatest strengths of the Rosenbach’s library is Americana. The central topics of these collections are the European exploration and settlement of the New World and the political and military history of the United States from the first settlements through the Civil War. These histories are told in books and documents such as explorers’ and travelers’ descriptions of the land and its peoples; maps; broadsides; newspapers; scriptures, liturgical, and devotional works for the use of Christian missionaries and converts—many in Native American languages; Indian treaties and captivity narratives; and collections of legal and church documents from the Oregon Territory and colonial Mexico and Peru.

There are also many letters and other writings of figures such as the Spanish explorers Cortéz and Pizarro; Washington (more than 100 letters, including his earliest extant letter), Franklin (more than 100 items including letters, Poor Richard almanacs, and many other products of his printing press), John Adams, Jefferson, Lincoln (more than 60 letters), and Grant (80 of his wartime letters and the draft telegram announcing Lee’s surrender). View the New Spain and Independent Mexico manuscripts collections guide here.

Early printing in the New World is illustrated by examples such as one of only eleven known copies of the Bay Psalm Book (1640), the first book printed in what is now the United States; and the first complete Bible printed in the Western Hemisphere (1661-1663), the Eliot Indian Bible in the Natick language of Massachusetts.

A.S.W. Rosenbach formed one of the world’s greatest collections of early American children’s literature. His scholarly bibliography on the subject became the standard reference in its field. While he gave most of this collection to the Free Library of Philadelphia in 1947, the Rosenbach’s Americana collection still contains a number of examples of both instructional and entertaining works for children.

Chief among these holdings is a group of Cervantes’s works, including the first edition of Don Quixote, Dr. Rosenbach’s favorite book, and documents in Cervantes’s hand. The Continental Literature collection also includes a complete, 56-volume copy of George Louis Leclerc, Comte de Buffon’s Histoire naturelle, générale et particuliére with 2,978 plates; a presentation copy of Erasmus’s Novum Testamentum (1519) with woodcuts by Hans Holbein; and small but significant holdings in French literature, ranging from an illuminated manuscript of Guillaume de Deguilleville’s Trois pélerinages (1437) to manuscripts of Emile Zola and Anatole France and the rare second edition of Jean Cocteau’s Le Livre Blanc, illustrated by Cocteau and including one of his original drawings.

The largest portion of the literary collections is English literature of the British Isles, including Scotland, Ireland, and Wales. Among the most significant holdings are two 15th-century manuscripts of Chaucer’s Canterbury Tales; an important group of 16th-and 17th-century poetical commonplace books; more than 450 books and pamphlets by Daniel Defoe, including the rare first edition of Robinson Crusoe; the largest extant collection of Robert Burns’s letters, manuscripts, and early editions; one of the world’s most important Lewis Carroll collections, including more than 600 of his letters, his early drawings, his own copy of the very rare first edition of Alice in Wonderland, and his rarest photographs; Bram Stoker’s autograph notes and outlines for Dracula; the manuscripts of two-thirds of Joseph Conrad’s literary works, including Lord Jim, and 60 letters in his hand. Collections guides: works of James Joyce, Irish authors,

C.L. Dodgson/Lewis Carroll, Robert Burns, and Bram Stoker.

The Rosenbach’s collection of paintings includes important American portraits by Gilbert Stuart, Thomas Sully, Bass Otis, Matthew Jouett, and John Wesley Jarvis; and European genre paintings including those attributed to Angelica Kauffman and the American expatriate Benjamin West. Many paintings are installed in the historic house where Rosenbach family portraits and travel souvenirs by artists of the school of Caneletto lend a personal quality to the collection.

Drawings range from the Italian Renaissance to the present, and from informal sketches to master drawings to preliminary drawings for book illustration. Artists include 18th-century French masters Fragonard, Le Prince, and Gravelot, as well as a rare portrait by Jacques Louis David; pencil drawings by William Blake and John Tenniel; and drawings from the Rosenbach’s Maurice Sendak holdings.

The collection of prints focuses on those associated with book illustration and shares many original artists with the Rosenbach’s drawings collection. Original artists represented by prints include Aubrey Beardsley, George Cruikshank, John Tenniel, and Charles Balthazer Julien Saint-Memin. Printmakers of note include the Dalziel Brothers, David Edwin, and William Blake. The Rosenbach also preserves nearly two hundred late-18th and 19th-century copper and steel printing plates used in printing both independent works and book illustrations, including designs by such noted artists as Thomas Sully and Titian Peale.

Sculpture in the collections dates from ancient Egypt and Cyprus to 20th-century Europe, with materials including bronze, stone, wood, and ceramic.

The furniture in the collections range from the 16th to the 20th century and include examples of British, American, and Continental origin. Among the highlights are an eighteenth-century Philadelphia high chest, an elaborate French orbital clock by Jean Baptiste Baillon, and a massive sixteenth-century refectory table. Although many pieces are associated with known makers, this is an area in the collections that requires further research.

The period sconces and chandeliers that illuminate the Rosenbach were conserved in 2002-2003 during the museum’s restoration and expansion project. These fixtures range in period from the early 19th to the early 20th century. They originally provided light from candles, gas, and electricity, and are fashioned of crystal and a variety of plated and alloyed metals. Portable lighting devices are also represented in the collections, from Argand lamps to a ruby glass candelabra, to candlesticks in a range of media.

The textiles in the collection include Rosenbach family table linens–most dating to the 19th century-which are changed regularly along with place settings in the museum’s dining room. Tapestries; needlework that appears in the form of pillows, furniture upholstery, and screens; as well as clothing that is contained, for the most part, in the Marianne Moore collection, are also included in this medium.

James Joyce (1882-1941) has been called the greatest 20th-century novelist writing in English. Ulysses is his masterpiece. The manuscript of Ulysses is among the premier treasures of the Rosenbach. Dr. Rosenbach owned a first edition of the novel – the banned book had been smuggled into the country for him in 1922. He purchased the manuscript at the auction of lawyer John Quinn’s collection in 1924. (Quinn had defended Joyce and his publishers against obscenity charges under the Comstock laws in 1920.)  View a complete guide to the works by and about James Joyce in the Rosenbach collection here.

The Rosenbach celebrates the Joycean tradition annually on Bloomsday, June 16. Bloomsday, the only international holiday in recognition of a work of art, brings scholars, devotees, and the general public together on Delancey Place for a day of dramatic readings from the novel. The Rosenbach also produces a special exhibition related to Joyce and Ulysses, drawing from its substantial collection of modern literary materials.

Objects in this category include walking sticks, snuff boxes, decorative stone bottles and cases, eyeglass and card cases, bookmarks, thimbles and sewing kits, small plaques in various media, as well as jewelry dating from antiquity to the 20th century. Within this group the objects tend to be functional yet highly decorative and represent a wide range of media, including precious metals, precious and semiprecious stones, wood, glass, enamel, and ceramics. Many are associated with notable people or families, including the ancient Babylonian king, Nebuchadnezzar, and the Bonaparte family. This category also contains many personal objects belonging to the Rosenbach family as well as those collected by Philip Rosenbach; this category is also highly represented within the Marianne Moore collection.

Dr. A.S.W. Rosenbach formed a highly important collection of early American Judaica. He gave the bulk of this collection to the American Jewish Historical Society (AJHS) in 1931. Nonetheless, significant Judaica remain at the Rosenbach, including several Hebrew incunabula, the Amsterdam Haggadah of 1695 (the first with a map of the Exodus), and the first Hebrew grammar printed in the United States (1731). Correspondence in the Rosenbachiana collection documents family members’ participation in organizations ranging from Philadelphia’s Congregation Mikveh Israel to the AJHS and the American Friends of the Hebrew University. 

The Rosenbachiana collection encompasses books written by or owned by Philip and A.S.W. Rosenbach, a limited amount of family materials, including papers and photographs, and the archives of the Rosenbach Company, which the brothers ran from 1903-1953. The archives’ stock files, purchase and sales records, correspondence, and financial records, supplemented by a collection of 13,000 book auction and bookseller catalogs, are an important resource for tracing the formation and dispersal of many important collections, and for the study of the American antiquarian book trade in the 20th century.

Objects in these categories are notable for their physical features in addition to their intellectual content. Maps in the collection indicate not only what was known about the world from the 16th through the 19th centuries, but what different users needed to know, presented in formats suited to their varying circumstances. About two dozen codex manuscripts, many of them illuminated, represent the arts of the book in Europe before printing, and nearly 100 incunabula are among the earliest examples of European movable-type printing. Other books, such as a complete set of Kelmscott Press titles, were collected as beautiful specimens of the book arts. Beyond their aesthetic qualities, bindings, illuminations, illustrations, and typography can also reveal the ways in which books were made and used, providing insight into topics like trade practices and education in the societies from which they came.

The Rosenbach’s literary collections include virtually all of the manuscripts and papers of Modernist poet Marianne Moore (1887-1972), as well as her personal library, thousands of photographs, and the contents of her Greenwich village living room, thus making the Rosenbach the undisputed center for the study of this important American writer. The Moore Collection is a unique literary repository, preserving intact a comprehensive record of a writer’s intellectual development. The Rosenbach has become a pilgrimage site for students and lovers of twentieth-century American art and literature, and the Moore papers are the heart of this collection. Their great significance to the story of Moore’s artistic and intellectual growth, as well as that of her peers, including Ezra Pound, T.S. Eliot, H.D., Elizabeth Bishop, William Carlos Williams, Wallace Stevens and many more has made the Moore papers such an important and heavily-used resource.

Moore’s Greenwich Village living room is permanently installed on the third floor of the historic Rosenbach house and is always on view to visitors as part of the Rosenbach house tour. The over 2,500 personal objects from the Moore room, ranging from furniture to figurines to postage stamps have been cataloged and are also a fruitful source of inquiry for interested researchers.
Access Phil, the Rosenbach’s collections database, here.

From 1968-2014 the Rosenbach was the repository for the picture book illustrations of artist and author Maurice Sendak (1928-2012). After his initial visit here in 1966—and thanks to a kinship the artist felt with the rare books and artwork collected by the Rosenbach brothers—Sendak began to leave his artwork for such books as Where the Wild Things Are (1963), In the Night Kitchen (1970), and Outside Over There (1981) on deposit at the Rosenbach where they were regularly exhibited to the public and accessible to researchers. The deposit comprised more than 10,000 pieces of original artwork, as well as manuscripts, dummy books, correspondence, printer’s proofs and other working materials, plus first editions of Sendak’s books.

In 2014 the Rosenbach returned the collection to Mr. Sendak’s estate and Foundation, the legal owners of the deposit. All requests for loans of original artwork and permission to publish Sendak images should be referred to the Sendak estate via its agent, Andrew Wylie of The Wylie Agency. Full contact information can be found on the WATCH database (Writers, Artists, and Their Copyright Holders).  

The Rosenabach still retains a small collection of original book art by Sendak and editions of many of his notable works collected separately from the deposit. 

Maurice Sendak was an avid book collector as well as creator. In 2016, the Rosenbach received a bequest of a substantial number of rare books and manuscripts from Maurice Sendak’s personal library. The bequest, which includes first editions and manuscripts by author Herman Melville and illustrated books by artist, printer, and writer William Blake, are now part of the Rosenbach’s permanent collection.

These media are most often represented by domestic objects, many of them Rosenbach family belongings, but some collected for use, resale, or display by the brothers. Ceramics range from the 16th to the 20th century and were produced in England, France, China, and Italy. Famous makers include Derby, Wedgwood, and Sèvres. Two centuries of crystal manufacture include chandeliers and tableware from Britain and the Continent. Work in metal consists of Samuel Yellin ironwork, and silver flatware and hollowware dating from the 17th to the 20th century by Myer Myers, Paul Storr, Hester Bateman, Tiffany Co., as well as a range of 19th-century Philadelphia manufacturers and earlier silversmiths from Russia, Ireland, Holland, England, Italy, and France.

Philip Rosenbach purchased a collection of 450 portrait miniatures from English painter Talbot Hughes in 1928. The largest collection of oil on copper miniatures in the United States, it includes portraits painted by English, Dutch, Spanish, Italian, and French artists. In addition to the Hughes collection, the Rosenbach maintains a fine selection of American, English, and Continental miniatures in other media: watercolor on vellum, watercolor on ivory, enamel, and wax, as well as one miniaturist’s paintbox and another’s diary and account book. The portraits date from the 16th to the 19th century. Although many retain their original frames, a large number have been reframed, probably by an earlier collector, to standardize their appearance. Philip Rosenbach displayed the miniatures grouped in a series of tortoise-shell frames.