Publications Based on Research in the Rosenbach Collections
The following works were created by researchers using materials at the Rosenbach Museum & Library.
2024 || 2023 || 2022 || 2021 || 2020 || 2019 || 2018 || 2017
This list is updated annually and is current as of 2 August 2024. If you know of a publication that includes research conducted on Rosenbach collections that is missing from this list, please contact research@rosenbach.org.
∞ Publications based on on-site research
Ω Publications based on off-site research (including those based on study of published facsimiles), and those that reproduce images of collections objects
2024 as of 30 June
Brinkman, Bartholomew. “The Literary Digest, Moore’s Scrapbooks, and the Archive of Mass Print.” In Marianne Moore and the Archives: From Material Culture to the Digital Humanities, edited by Jeff Westover, 27–42. Clemson University Press in association with Liverpool University Press, 2024. ∞
Clavier, Aurore. “Postmarks and Watermarks: Reading through Marianne Moore’s Letters.” In Marianne Moore and the Archives: From Material Culture to the Digital Humanities, edited by Jeff Westover, 11–26. Clemson University Press in association with Liverpool University Press, 2024. ∞
Cleaver, Laura, and Danielle Magnusson. “The First Folio and the Transatlantic Trade in Early Drama c.1900–1929.” Journal of the History of Collections (February 1, 2024). ∞
Crowley, Ronan. “The Archival In-Life of James Joyce.” In The Bloomsbury Handbook of Modernist Archives, edited by Jamie Callison, Matthew Feldman, Anna Svendsen, and Erik Tonning. Bloomsbury Academic, 2024. ∞
Demakos, Matthew. 05 John Tenniel’s Method: The Jabberwock Explains, 2024. ∞
Demakos, Matthew. 06 Widener’s Lost Wonderland: An Open Letter to the Current Owner (Matthew Demakos, LCSNA), 2024. ∞
Dickens, Charles. The Life and Adventures of Nicholas Nickleby. Edited by Elizabeth James, Joel J. Brattin, and J.H. Alexander. The Oxford Edition of Charles Dickens. Oxford: Oxford University Press, 2024. ∞
Dickinson, Emily. The Letters of Emily Dickinson. Edited by Cristanne Miller and Domhnall Mitchell. Cambridge, MA: Harvard University Press, 2024. ∞
Dickinson, John. Complete Writings and Selected Correspondence of John Dickinson: Volume 3. Edited by Jane E. Calvert. Newark, DE: University of Delaware Press, 2024. ∞
Edwards, A. S. G. “Selling Middle English Manuscripts to North America up to 1945.” In The Pre-Modern Manuscript Trade and Its Consequences, ca. 1890–1945, edited by Laura Cleaver, Danielle Magnusson, Hannah Morcos, and Angéline Rais, 31–40. Collection Development, Cultural Heritage, and Digital Humanities. Leeds: Arc Humanities Press, 2024. Ω
Fredell, Joel. Fictions of Witness in the Confessio Amantis. The New Middle Ages. Cham: Palgrave Macmillan, 2024. Ω
Gilbert, Roger. “‘This Is How the Mind Works’: Marianne Moore and the Aesthetics of Notebooks.” In Marianne Moore and the Archives: From Material Culture to the Digital Humanities, edited by Jeff Westover, 175–88. Clemson University Press in association with Liverpool University Press, 2024. Ω
Gregory, Elizabeth. “Out-Casts and Stay-at-Homes: Marianne Moore, Arthur Mitchell, and LGBTQ Migration in NYC.” In Marianne Moore and the Archives: From Material Culture to the Digital Humanities, edited by Jeff Westover, 61–78. Clemson University Press in association with Liverpool University Press, 2024. ∞
Heiss, Lokke. “Nosferatu and Its Relationship to German Expressionist Film.” In The Palgrave Handbook of the Vampire, edited by Simon Bacon, 1–20. Cham: Springer International Publishing, 2024. Ω
Hickes, Megan. “Radical: Marianne Moore’s Characters.” Cambridge Quarterly 53, no. 2 (June 24, 2024). Ω
Kahn, Eve M. “Rediscovering Averill Cole, Bookbinder and Dictionary Cover Patenter.” The Grolier Club (blog), May 15, 2024. Ω
King, Julia. “Syon Abbey’s Books and the Strength of Weak Ties.” Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies 9, no. 1 (March 2024): 33–71. ∞
Magnusson, Danielle. “Herschel V. Jones: Public Collections and Private Investments.” In The Economics of the Manuscript and Rare Book Trade, ca. 1890–1939, edited by Federico Botana and Laura Cleaver, 95–114. Leeds: Arc Humanities Press, 2024. Ω
Malyszek, Chelsie. “From Word to Word: Marianne Moore’s Poetics of Cross-Reference.” Modern Philology 121, no. 4 (May 2024): 447–69. ∞
Maynard, James. “Robert Duncan, ‘On Reading Marianne Moore’: An Introduction.” In Marianne Moore and the Archives: From Material Culture to the Digital Humanities, edited by Jeff Westover, 189–96. Clemson University Press in association with Liverpool University Press, 2024. Ω
Nashar, Claire. “The Marianne Moore Digital Archive: Teaching and Research.” In Marianne Moore and the Archives: From Material Culture to the Digital Humanities, edited by Jeff Westover, 197–208. Clemson University Press in association with Liverpool University Press, 2024. Ω
Tracy, Ryan. “‘His Shield’: Prester John, Amphibiousness, and Black Fugitivity in Marianne Moore’s Haile Selassie Poem.” In Marianne Moore and the Archives: From Material Culture to the Digital Humanities, edited by Jeff Westover, 79–106. Clemson University Press in association with Liverpool University Press, 2024. ∞
Westover, Jeff. “Questioning Categories to Revitalize Words: Meaning and Mottoes in the Poetry of Marianne Moore.” In Marianne Moore and the Archives: From Material Culture to the Digital Humanities, edited by Jeff Westover, 153–74. Clemson University Press in association with Liverpool University Press, 2024. Ω
2023
Ames, Alexander Lawrence, and Mark Samuels Lasner. Grolier Club Bookplates Past and Present. New York: The Grolier Club, 2023. ∞
Baldwin, Debra Romanick. “Conradian Inwardness on the Narcissus.” Conference presentation presented at the 50th Annual International Conference, The Joseph Conrad Society (UK), St Mary’s University, Twickenham, July 6, 2023. ∞
Brooks, Lynn Matluck. “So Revealing: Ballerinas on Antebellum US Stages.” Dance Research 41, no. 2 (November 1, 2023): 253–74. ∞
Cain, Sarah. “The Material Archive Everyday: Technologies of the Filing System.” In The Materiality of the Archive: Creative Practice in Context, edited by Sue Breakell and Wendy Russell. Routledge Studies in Archives. Abington, Oxon: Routledge, 2023.
Cannon, Thomas G. “Abraham Lincoln’s Genealogical Quest, 1848–1865.” The Journal of the Abraham Lincoln Association 43, no. 2 (October 15, 2023): 1–17. Ω
Conrad, Joseph. Nostromo: A Tale of the Seaboard. Edited by Roger Osborne and Hugh Epstein. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2023. Ω
Darsie, Heather R. Children of the House of Cleves: Anna and Her Siblings. Stroud, Glos.: Amberley Publishing Limited, 2023. Ω
Doelman, James. “Early-Stuart Funeral Elegies from Manuscript.” Brescia School of Humanities Publications 1 (2023). Ω
Eckert, Sierra. “Gothic Evidence: Fictions of Public Records from Collins to Stoker.” Conference presentation presented at the Society for Novel Studies biannual conference 2023 “The Novel and the Archive,” Madison, WI, May 19, 2023. ∞
Fantetti, Natalia. “‘Only Connect’: Linking Up Data in the Schoenberg Database of Manuscripts.”Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies 8, no. 1 (2023): 95–102. ∞
Gross, Jennifer R. “Mina Loy: Strangeness Is Inevitable.” Exhibition, Bowdoin College Museum of Art, September 6, 2023. Ω
Gross, Jennifer R., ed. Mina Loy: Strangeness Is Inevitable. Princeton, New Jersey: Princeton University Press, 2023. Ω
Imholtz, August A. “The Appleton Alice.” In Alice in a World of Wonderlands: The English-Language Editions of the Four Alice Books Published Worldwide, edited by Jon A. Lindseth and Arnold Hirshon, 1:56–77. Cleveland: ATBOSH Media Ltd. in cooperation with the Lewis Carroll Society of North America, 2023. ∞
Lazevnick, Ashley. Fantasies of Precision: American Modern Art, 1908-1947. University of Minnesota Press, 2023. ∞
Manning, Pascale M. “Dracula and the Geological Subject.” Conference paper presented at the North American Victorian Studies Association conference 2023: Revision, Return, Reform, Indiana University Bloomington, November 10, 2023. ∞
May, Steven W. English Renaissance Manuscript Culture: The Paper Revolution. Oxford: Oxford University Press, 2023. ∞
Miller, Julia, and Consuela (Chela) Metzger. “North American Bindings (Present-Day Canada and United States).” In Conservation of Books, edited by Abigail Bainbridge, First. Routledge Series in Conservation and Museology. Abington, Oxon: Routledge, 2023. ∞
Millstone, Noah. “Sir Robert Cotton, Manuscript Pamphleteering, and the Making of Jacobean Kingship during the Short Peace, ca. 1609–1613.” Journal of British Studies 62, no. 1 (January 2023): 134–60. Ω
Nicosia, Marissa. Imagining Time in the English Chronicle Play: Historical Futures, 1590-1660. Oxford: Oxford University Press, 2023. ∞
Porter, Zachary, and T. Glenn Pait. “Sir William Thornley Stoker, Neurosurgery and Dracula.” Presented at the American Association of Neurological Surgeons Annual Scientific Meeting 2023, Los Angeles, April 23, 2023. Ω
Rebecca Gratz Digital Collection. Accessed February 3, 2023. Ω
Smialkowska, Monika. Shakespeare’s Tercentenary: Staging Nations and Performing Identities in 1916. Cambridge: Cambridge University Press, 2023. ∞
Smith, Richard Upsher. A Quaker Colonel, His Fiancée, and Their Connections: Selected Civil War Correspondence. Bethlehem, PA: Lehigh University Press, 2023. ∞
Smyth, Adam. The Oxford Handbook of the History of the Book in Early Modern England. Oxford University Press, 2023. ∞
Stritmatter, Roger. “Francis Meres Revisited: Wit, Design and Authorship in Palladis Tamia (1598).” Critical Survey 35, no. 3 (September 1, 2023): 17–61. ∞
Titley, Neil. The Oscar Wilde World of Gossip: A Subversive Encyclopaedia of Victorian Anecdote. Edited by Dan Shepelavy and Vanessa Heron. American edition 1.0. Philadelphia: Universal Exports of North America, 2023. ∞
Wakeling, Edward. “Inscribed Presentation Copies of the Four Alice Books.” In Alice in a World of Wonderlands: The English-Language Editions of the Four Alice Books Published Worldwide, edited by Jon A. Lindseth and Arnold Hirshon, 1:128–218. Cleveland: ATBOSH Media Ltd. in cooperation with the Lewis Carroll Society of North America, 2023. Ω
Wolosky, Shira. The Bible in American Poetic Culture: Community, Conflict, War. Modern and Contemporary Poetry and Poetics. Cham: Palgrave Macmillan, 2023.
Yadin-Israel, Azzan. Temptation Transformed: The Story of How the Forbidden Fruit Became an Apple. University of Chicago Press, 2023. Ω
Yannakakis, Yanna. Since Time Immemorial: Native Custom & Law in Colonial Mexico. Durham, NC: Duke University Press, 2023. ∞
2022
Bellido, Jose, and Kathy Bowrey. Adventures in Childhood: Intellectual Property, Imagination and the Business of Play. Cambridge Intellectual Property and Information Law. Cambridge: Cambridge University Press, 2022. Ω
Carr, Holly Corfield. “‘That Sunny Dome! Those Caves of Ice!’: Hunting Bison in Modernist Caves.” Modernism/Modernity Print Plus 7, no. Cycle 2 (October 3, 2022). Ω
Dellomo, Angelo. McCarty’s Paper Mill: From Bog Iron to Paper in the N.J. Pine Barrens. Angelo Dellomo, 2022. ∞
Edwards, A. S. G. “The Ownership and Sale of Manuscripts of John Gower’s Confessio Amantis in the Eighteenth and Nineteenth Centuries.” The Library: The Transactions of the Bibliographical Society 23, no. 2 (June 2022): 180–90. Ω
Ernst, Michael J. “The Sussex Qur’an: The Holy Book of Islam in the Libraries of Non-Muslim Collectors.” Free Library of Philadelphia, December 5, 2022. ∞
“Footprints: Jewish Books Through Time and Place.” Database. Columbia University Center for Teaching and Learning. Accessed August 7, 2022. ∞
Hollenberg, Donna Krolik. Winged Words: The Life and Work of the Poet H. D. Ann Arbor: University of Michigan Press, 2022. Ω
Homrighausen, Jonathan. “Decorated, Illuminated, and Illustrated Bibles.” Oxford research encyclopedia of religion, October 19, 2022. Ω
Jonson, Ben. The Poems of Ben Jonson. Edited by Tom Cain and Ruth Connolly. Abington, Oxon: Routledge, 2022. ∞
Joyce, James. Ulise. Edited by Ioana Zirra. Translated by Mircea Ivănescu. Bucharest: Humanitas Fiction, 2022. ∞
Leonard, Sandra. “The Book Lab: Material Culture, Digital Humanities, and Book History.” Paper presented at the 2022 MLA Annual Convention, Virtual session, January 8, 2022. ∞
Magnusson, Danielle, and Laura Cleaver. The Trade in Rare Books and Manuscripts between Britain and America c. 1890–1929. Elements in Publishing and Book Culture. Cambridge: Cambridge University Press, 2022. ∞
Maraniss, David. Path Lit by Lightning: The Life of Jim Thorpe. New York: Simon and Schuster, 2022. ∞ Ω
Mulhall, Daniel. Ulysses: A Reader’s Odyssey. Dublin: New Island Books, 2022. ∞
Murray, Rachel. “’A Well Excavated Grave’: Marianne Moore’s Marine Archive.” Paper presented at the ASLE-UKI Biennial Conference, Northumbria University, September 8, 2022. ∞
Murray, Rachel. “Violent Scraps: Marianne Moore and the Marine Archive.” Paper presented at the Hopeful Modernisms: The conference of the British Association for Modernist Studies, University of Bristol, June 25, 2022. ∞
Olson, Kirby. “Marianne Moore and Style.” Tab Journal, no. 10 (July 2022): 32–35. ∞
Reznik, Lisa. “Round Table: Left Bank: The Visionary Women Behind James Joyce + The Legacy.” Conference presentation presented at the James Joyce: Ulysses 1922–2022: XXVIII International James Joyce Symposium, Trinity College, Dublin, June 13, 2022. ∞
Rogers, Katy. Robert Motherwell Drawings: A Catalogue Raisonné. New Haven: Yale University Press, 2022. Ω
“The Secret History of the Civil War.” History Channel, February 22, 2022. Ω
Sinha, Ajay. Photo-Attractions: An Indian Dancer, an American Photographer, and a German Camera. Rutgers University Press, 2022. ∞
Stern, David. The Jewish Bible: A Material History. Seattle: University of Washington Press, 2017.
Published in Hebrew translation as כחומר ביד הסופר : גלגולי ספר התנ״ך ממגילה ועד מסך = Ka-ḥomer be-yad ha-sofer: gilgule sefer ha-Tanakh mi-megilah ṿe-ʻad masakh. (Yerushalayim : Mosad Byaliḳ, 782 [2022]).Stoker, Bram. Dracula: Annotated for the 125th Anniversary. Edited by Dacre Stoker and Robert Eighteen-Bisang. Austin, TX: Hellbound Books, 2022. Ω
Tracy, Ryan. “The Octopus and the Pelican: Queer ‘Efforts of Affection’ between Marianne Moore and Elizabeth Bishop.” Feminist Modernist Studies 0, no. 0 (October 17, 2022): 1–17. ∞
Wakelin, Daniel. “Beyond the Page: Immaterial Texts in Late Medieval England.” Lecture presented at the Schoenberg Institute for Manuscript Studies Online Lecture Series, Zoom, April 29, 2022. ∞
Wakelin, Daniel. Immaterial Texts in Late Medieval England: Making English Literary Manuscripts, 1400–1500. Cambridge: Cambridge University Press, 2022. ∞
Warodell, Johan Adam. Conrad’s Decentered Fiction. Cambridge: Cambridge University Press, 2022. ∞
Wenzelberg, Benjamin. “NIGHTTOWN.” Lowell House Opera, world premiere recorded March 10, 2022. Ω An operatic reimagining of James Joyce’s Ulysses
Whearty, Bridget. Digital Codicology: Medieval Books and Modern Labor. Stanford University Press, 2022. ∞
White, Ronald C. Lincoln in Private: What His Most Personal Reflections Tell Us about Our Greatest President. New York: Random House, 2022. Ω
2021
Adamson, Glenn. “Critical Thinking: Difficult Issues.” The Magazine Antiques, October 2021. Ω
Ames, Alexander Lawrence. “Cloister Talk.” Season 1, Episode 7: “Eines Christen Reise”: Origins of The Word in the Wilderness. MP3. Accessed December 3, 2021. ∞
Barilli, Renato. Blake. Artedossier. Artisti 371. Firenze: Giunti, 2021. Ω
Bloom, Clive. The Palgrave Handbook of Steam Age Gothic. Cham, Switzerland: Palgrave Macmillan, 2021. Ω
Borland, Jennifer. Visualizing Household Health: Medieval Women, Art, and Knowledge in the Regime Du Corps. Penn State Press, 2021. ∞
Christie-Miller, Ian. Revealing Watermarks: How to Enhance the Security of Hand-Made Paper Items and Reveal Hidden Data, 2021. ∞
Cleaver, Laura, and Danielle Magnusson. “American Collectors and the British Market for Rare Books c. 1890-1939: Two Perspectives.” Lecture presented at the Schoenberg Institute for Manuscript Studies Online Lecture Series, Philadelphia, University of Pennsylvania Van Pelt-Dietrich Library, July 8, 2021∞
Cooke, Catherine. “Towards a Forbidden Land of the Holy Books.” In Sherlock Holmes, Arthur Conan Doyle and Switzerland: Serious and Less Serious Musings, edited by Marcus Geisser, Guy Marriott, and Michael A. Meer, 24–31. Norderstedt, Germany: BoD – Books on Demand, 2021. Ω
Crișan, Marius-Mircea, and Carol Senf. “Bram Stoker’s Dracula: The Transformation of Tradition.” In The Palgrave Handbook of Steam Age Gothic, edited by Clive Bloom, 647–67. Cham [Switzerland]: Springer International, 2021. Ω
Doelman, James. The Daring Muse of the Early Stuart Funeral Elegy. Manchester: Manchester University Press, 2021. Ω
Donne, John. The Variorum Edition of the Poetry of John Donne: The Divine Poems. Edited by Jeffrey S. Johnson. Vol. 7, part 2. Bloomingon: Indiana University Press, 2021. Ω
Eliot, T. S. The Letters of T. S. Eliot, Volume 9: 1939–1941. Edited by Valerie Eliot and John Haffenden. London: Faber & Faber, 2021. Ω
Etienne, Noemie. The Art of the Anthropological Diorama: Franz Boas, Arthur C. Parker, and Constructing Authenticity. Walter de Gruyter GmbH & Co KG, 2021
Frey, Lauren. “Marianne Moore’s Ghost Revisions: Poems (1921), Observations (1924, 1925), and Selected Poems (1935).” Textual Cultures: Texts, Contexts, Interpretation 14, no. 1 (Spring 2021): 174–88. ∞
Geisser, Marcus. “The Final Return.” In Sherlock Holmes, Arthur Conan Doyle and Switzerland: Serious and Less Serious Musings, edited by Marcus Geisser, Guy Marriott, and Michael A. Meer, 95–102. Norderstedt, Germany: BoD – Books on Demand, 2021. Ω
Gottlieb, Robert. Garbo. New York: Farrar, Straus and Giroux, 2021. Ω
Gregory, Elizabeth. “Apparition of Splendor”: Marianne Moore Performing Democracy through Celebrity, 1952-1970. University of Delaware Press, 2021. ∞
Hoare, Philip. Albert and the Whale: Albrecht Dürer and How Art Imagines Our World. New York: Pegasus Books, 2021. Ω
Homestead, Melissa J. “Willa Cather’s Letters in the Archive.” Tulsa Studies in Women’s Literature 40, no. 1 (2021): 95–118. Ω
Jefferson, Thomas. The Papers of Thomas Jefferson, Retirement Series, Volume 17: 1 March 1821 to 30 November 1821. Edited by J. Jefferson Looney. Princeton: Princeton University Press, 2021. Ω
King, Julia. “Inscriptions and Ways of Owning Books among the Sisters of Syon Abbey.” The Review of English Studies 72, no. 307 (November 2021): 836–59. ∞
Lackey, Michael. Ireland, the Irish, and the Rise of Biofiction. Bloomsbury Publishing USA, 2021. ∞
Lapierre, Alexandra. Belle Greene. Paris: Editions Flammarion, 2021. Ω
Larte de labbacho: il primo libro di aritmetica stampato al mondo. Edited by Quirino Alessandro Bortolato, with a comment by Camillo Bortolato and an essay by Agostino Contò. Trento: Edizioni Erickson, 2021. Ω
Leibman, Laura Arnold. Once We Were Slaves: The Extraordinary Journey of a Multi-Racial Jewish Family. New York: Oxford University Press, 2021. Ω
Levinson, Adam, and Sergio Villavicencio. “Breaking News: Newly Uncovered Hamilton Records – Part 1.” Statutes and Stories (blog), July 18, 2021. Ω
Klimchynskaya, Anastasia. “The Laboratory of the Mind’s Eye: Scientific Romance as Thought Experiment and Jules Verne’s Extraordinary Voyages.” Configurations 29, no. 3 (2021): 289–320. ∞
Marotti, Arthur F. The Circulation of Poetry in Manuscript in Early Modern England. New York: Routledge, 2021. Ω
Mattison, J. R. “Books in Books: The Idea of the Book in the Fifteenth-Century English Visual Imagination.” Book History 24, no. 2 (Fall 2021): 267–96. Ω
McCabe, Susan. H. D. & Bryher: An Untold Love Story of Modernism. New York: Oxford University Press, 2021. ∞
McRae, Calista. “‘Visible, Invisible’: Dickinson and Disappearance in Marianne Moore’s ‘A Jellyfish.’” The Emily Dickinson Journal 30, no. 2 (2021): 116–33. Ω
Merrill, James. A Whole World: Letters from James Merrill. Edited by Langdon Hammer and Stephen Yenser. New York: Alfred A. Knopf, 2021. Ω
Microdoses Media Group. Archangels at War, 2021. Ω Images include an animated version of Blake’s “The number of the Beast is 666.”
Miller, Cristanne. “Emily Dickinson’s Letters: A Preview.” The Emily Dickinson Journal 30, no. 1 (2021): 27–44. ∞
Nanin, Odalys. Garbo’s Cuban Lover. Independently published, 2021. ∞
The Nerds of Color. “Holland Taylor as Joan in Episode 104 of ‘The Chair,’ Cr. Eliza Morse/Netflix,” June 9, 2021. Ω Still from a series first scheduled to air 20 Aug. 2021, showing a partial view of a facsimile of an illuminated page from page from one of the Rosenbach’s Canterbury Tales manuscripts.
Norget, Roland. Anna von Cleve Überlebenskünstlerin unter den Tudors. 1. Auflage. Potsdam: Roland Norget, 2021. Ω
Ockerman, Jr., Foster. A New History of Lexington, Kentucky. Charleston, SC: Arcadia Publishing, 2021. Ω
Olsen-Smith, Steven, and Peter Norberg. “A Second Update on Books Owned, Borrowed, and Consulted by Herman Melville.” Leviathan 23, no. 2 (2021): 82–94. ∞
Peck, Robert McCracken. The Natural History of Edward Lear. New edition. Princeton: Princeton University Press, 2021. Ω
Pompilio, Natalie, and Tricia Pompilio. This Used to Be Philadelphia. St. Louis: Reedy Press LLC, 2021. Ω
Raza Kolb, Anjuli Fatima. Epidemic Empire: Colonialism, Contagion, and Terror, 1817–2020. Chicago: University of Chicago Press, 2021. ∞
Remoter. “Animation from the Music Video for ‘Archangels at War,’ by Remoter,” February 21, 2021. Ω Images include an animated version of Blake’s “The number of the Beast is 666.”
Scheel, Charles W. “Note à propos du manuscrit de Batouala, véritable roman nègre, de René Maran, découvert au musée-bibliothèque The Rosenbach de Philadelphie.” Continents manuscrits. Génétique des textes littéraires – Afrique, Caraïbe, diaspora, no. 17 (October 15, 2021). Ω
Shelley, Percy Bysshe. The Complete Poetry of Percy Bysshe Shelley. Edited by Neil Fraistat and Donald H. Reiman. Vol. 7. Baltimore: JHU Press, 2021. Ω
Smailbegović, Ada. “At the Edges of Unmeeting: Geometries of Sea and Land in Marianne Moore’s Seascapes.” Comparative Literature 73, no. 2 (June 1, 2021): 150–65. ∞
Stewart, David O. George Washington: The Political Rise of America’s Founding Father. New York: Dutton, 2021. Ω
Taylor, Melanie V. “A Portrait of Anna, Duchess of Cleves: The King’s Beloved Sister.” Melanie V Taylor (blog), June 8, 2021. Ω
Victoria & Albert Museum. “Alice: Curiouser and Curiouser.” Exhibition, Victoria & Albert Museum, March 27, 2021. Ω
Wallen, Martin. Squid. London: Reaktion Books, 2021. Ω
Wilde, Oscar. “Rosenbach Manuscript of Oscar Wilde’s Extended ‘The Portrait of Mr W.H.’” Edited by Sandra Leonard. COVE Electronic Editions, August 10, 2021. ∞
2020
Ahearn, Barry. Pound, Frost, Moore, and Poetic Precision: Science in Modernist American Poetry. Cham [Switzerland]: Springer International Publishing, 2020. ∞
Alice, Curiouser and Curiouser. edited by Kate Bailey and Simon Sladen, with contributions from Annemarie Bilclough and Harriet Reed. London: V&A Publishing, 2020. Ω
Allen, Edward. Modernist Invention: Media Technology and American Poetry. Cambridge: Cambridge University Press, 2020. ∞
Allison, Charlie. The Crustacean Count. A short play, presented in an online staged reading by the Philadelphia Dramatists Center, October 30, 2020. Video, 14:42, beginning at 4:37. ∞
Ames, Alexander Lawrence. The Word in the Wilderness: Popular Piety and the Manuscript Arts in Early Pennsylvania. University Park: Pennsylvania State University Press, 2020. ∞
Añó, Núria. The Salon of Exiled Artists in California: Salka Viertel Took in Actors, Prominent Intellectuals and Anonymous People in Exile Fleeing from Nazism. Amazon Digital Services LLC – KDP Print US, 2020. Ω
Baldock, Sophie. “‘Our Looks, Two Looks’: Miniature Portraits in the Letters of Elizabeth Bishop and Robert Lowell.” The Review of English Studies 71, no. 300 (June 1, 2020): 528–53. Ω
Biggs, Elizabeth. “Durham Cathedral and Cuthbert Tunstall: A Cathedral and Its Bishop During the Reformation, 1530–1559.” The Journal of Ecclesiastical History 71, no. 1 (January 2020): 59–76. ∞
Breslin, John, and Sarah Anne Buckley. Old Ireland in Colour. Newbridge, Ireland: Merrion Press, 2020. Ω
Brooks, Lynn Matluck. “Race, Rank, and Reform in Antebellum Philadelphia Social Dance.” The Pennsylvania Magazine of History and Biography 144, no. 2 (2020): 147–78. ∞
Chalice [Finnish band]. Trembling Crown. Zwickau, Germany: High Roller Records, 2020. Ω
The album cover reproduces William Blake’s “The Number of the Beast is 666” (accession number 1954.0011). The image also appears in the video of the title track.Crowley, Ronan, and Joshua Schäuble. “Modernism on the Punch Tape: Editing the 1984 Ulysses.” Modernist Cultures 15, no. 1 (February 1, 2020): 29–47. ∞
Demakos, Matthew. “Sketch—Trace—Draw: From Tenniel’s Hands to Carroll’s Eyes, Part I.” Knight Letter, no. 104 (Spring 2020: 1-9. ∞
Demetriou, Tania. “Tendre Cropps and Flourishing Metricians: Gabriel Harvey’s Chaucer.” The Review of English Studies 71, no. 298 (February 1, 2020): 19–43. Ω
Driver, Martha W. “John Gower and the Artists of M. 126.” In Studies in the Age of Gower: A Festschrift in Honour of Robert F. Yeager, edited by Susannah Mary Chewning, 99–116. Cambridge: Boydell & Brewer, 2020. Ω
Eagles, Stuart. “A Swan without a Leda.” Dr Stuart Eagles (blog), October 22, 2020. Ω
Edwards, A. S. G. “George Campbell Macaulay and the Clarendon Edition of Gower.” In John Gower in Manuscripts and Early Printed Books, edited by Martha Driver, Derek Pearsall, and R. F. Yeager, NED-New edition., 247–62. Publications of the John Gower Society. Cambridge: D.S. Brewer, 2020. ∞
Ekici, Armağan. “‘Probably Not a Bit like It Really’ (U 4.99): Ulysses in Two Turkish Translations.” In Retranslating Joyce for the 21st Century, edited by Erika Mihálycsa and Jolanta W. Wawrzycka, 179–201. European Joyce Studies 30. Leiden: Brill Rodopi, 2020. Ω
Forman, John Rhett. “Poetic Complexes and the Rhetoric of Mind in H.D. and Her Circle.” PhD dissertation, Universidad de Salamanca, 2020. Ω
Goodare, Julian, and Martha McGill. “Exploring the Supernatural in Early Modern Scotland.” In The Supernatural in Early Modern Scotland, edited by Julian Goodare and Martha McGill. Manchester: Manchester University Press, 2020. Ω
Gray, Ellen. “Rare Poe, Dickens: Tracking down the Eclectic Collection of Self-Made Philly Millionaire George W. Childs.” Philadelphia Inquirer, February 5, 2020. Ω
Green, Fiona. “‘Black Obsidian Diana’: Moore, Pound, and the Curation of Race.” The Yearbook of English Studies 50 (2020): 61–80. ∞
Herman, Nicholas. Making the Renaissance Manuscript: Discoveries from Philadelphia Libraries. Philadelphia: Penn Libraries/Kislak Center, 2020. ∞
Hong, Anna Maria. Fablesque. North Adams, MA: Tupelo Press, 2020. ∞
Horn, Jonathan. Washington’s End: The Final Years and Forgotten Struggle. New York: Scribner, 2020. Ω
Howarth, Peter. “Marianne Moore’s Performances.” ELH 87, no. 2 (Summer 2020): 553–79.
Japanese Castaway Gives First Description of USA (1852): Incredible Story of John Manjiro, 2020. Ω
Kerestman, Katherine. Creepy Cat’s Macabre Travels. Cody, WY: WordCrafts Press, 2020.
Kernytska, Khrystyna. “The Untold Story of Girdle Books: Learning about Girdle Books’ Usage from Contemporary Works of Art.” Master’s thesis, University of Leiden, 2020. Ω
Lembo, Lauren, Michael J. Gall, and Richard F. Veit. “Status Creation and Maintenance among the Delaware Valley Elite: The Rise and Fall of the Field Family.” Historical Archaeology 54, no. 2 (June 1, 2020): 375–403. Ω
Meadowsong, Zena. “Conrad’s Imperial Machine: Nostromo.” The Conradian 45, no. 1 (Spring 2020). ∞
Mehta, Jessica. “How an Eating Disorder May Have Informed Marianne Moore’s ‘Nine Nectarines.’” Humanities Bulletin 3, no. 2 (December 14, 2020): 208–24. ∞
Mehta, Jessica. “Marianne Moore’s ‘Pigeons:’ A Gateway Poem to Unveiling Eating Disorders in Her Poetry.” Litinfinite Journal 2, no. 1 (July 2, 2020): 30. ∞
Morse, Daniel Ryan. Radio Empire: The BBC’s Eastern Service and the Emergence of the Global Anglophone Novel. New York: Columbia University Press, 2020. ∞
Moses, Nancy. Fakes, Forgeries, and Frauds. Lanham, MD: Rowman & Littlefield, 2020. ∞
Moskowitz, Golan Y. Wild Visionary: Maurice Sendak in Queer Jewish Context. Stanford, CA: Stanford University Press, 2020. ∞
Norquay, Glenda. Robert Louis Stevenson, Literary Networks and Transatlantic Publishing in the 1890s: The Author Incorporated. London: Anthem Press, 2020. ∞
Olson, Kirby. “Marianne Moore’s Baseball Poems.” The Imaginative Conservative (blog), July 27, 2020. ∞
Panova, Elizaveta. “Word-Image Interaction in the Treatise Voyage En Siberie.” In 6th International E-Conference on Studies in Humanities and Social Sciences: Conference Proceedings, 163–72. Center for Open Access in Science, Belgrade, 2020. ∞
Pullen, Louise. “The Joy of Pretty Things: A Museum for Sheffield’s Workers.” Journal of Art Historiography 22 (June 2020): 1–30. Ω
Pumroy, Eric L. “Poggio Bracciolini, Phyllis Goodhart Gordan, and the Formation of the Goodhart Collection of Fifteenth-Century Books at Bryn Mawr College.” In Poggio Bracciolini and the Re(Dis)Covery of Antiquity: Textual and Material Traditions Proceedings of the Symposium Held at Bryn Mawr College on April 8-9, 2016, edited by Roberta Ricci, 189–97. Firenze University Press, 2020. ∞
Ribes Traver, Purificación. “New Ways of Looking into Handwritten Miscellanies of the Seventeenth Century: The Case of ‘Spes Altera.’” Journal of English Studies (Logroño, Spain) 18 (December 23, 2020): 205–25. Ω
Rodríguez Jiménez, Leda. “Del monstruo-bestia al monstruo-individuo: un estudio genealógico de la monstruosidad en las tradiciones narrativas.” Revista estudios, no. Especial: profesores de estudios generales investigan (February 29, 2020). Ω
Sanvico, Michele. “Sibillini Mountain Range, a Cave and Lake to the Otherworld (Part 1),” February 1, 2020. Ω
Scandura, Jani. “Modern Manuscripts and Drafts.” Oxford Research Encyclopedia of Literature, July 30, 2020. Ω
Sharp, Frank C. “William Morris and British Politics: From the Liberal Party to the Socialist League.” In The Routledge Companion to William Morris, edited by Florence S. Boos. London: Routledge, 2020. ∞
Singh, Devani. “The Progeny of Print: Manuscript Adaptations of John Speed’s Chaucer Engraving.” Digital Philology: A Journal of Medieval Cultures 9, no. 2 (2020): 177–98. Ω
Söhrman, Ingmar. “Scandinavian Transformations of Dracula.” Nordic Journal of English Studies 19, no. 5 (December 19, 2020): 335–57. Ω
Stirling, Sophie. We Did That?: Human Bloopers, Secret Histories, Medical Mysteries, Strange Superstitions, and Other Curiosities from Our Past. Coral Gables: Mango Media Inc., 2020. Ω
Teramura, Misha. “The Fortunes of Fletcher’s ‘Against Astrologers.’” Modern Philology 118, no. 1 (August 1, 2020): 130–57. Ω
Ursprung, Heinrich. “Jane Beats Them All: Price Formation and Financial Returns to Investing in Rare Books.” CESifo Working Papers. Munich: CESifo, 2020. Ω
Waggoner, Diane. Lewis Carroll’s Photography and Modern Childhood. Princeton: Princeton University Press, 2020. ∞
Wånggren, Lena. “Gender and Genre in Fanny Van de Grift Stevenson’s Periodical Writing.” The Review of English Studies, no. hgaa104 (December 23, 2020). Ω
Wiendels, Christina. “‘Are All Diseases Dead’: The Likelihood of an Attribution to Ben Jonson.” Ben Jonson Journal 27, no. 2 (October 21, 2020): 200–219. Ω
2019
Atkin, Tamara. “Character Lists.” In Book Parts, edited by Dennis Duncan and Adam Smyth, 10. Oxford: Oxford University Press, 2019.
Bazin, Victoria. Modernism Edited: Marianne Moore and the Dial Magazine. Edinburgh Critical Studies in Modernist Culture 1. Edinburgh: Edinburgh University Press, 2019. ∞
Blank, Daniel. “Harry Elkins Widener: Brief Life of a Theater-Loving Bibliophile: 1885–1912.” Harvard Magazine, April 5, 2019.
Brink, Jean R. The Early Spenser, 1554–80: “Minde on Honour Fixed.” Manchester: Manchester University Press, 2019.
Brown, Iemanja. “Through the Mouth: An Essay on Appetite and Ecocide.” PhD dissertation, City University of New York, 2019.
Cecire, Natalia. Experimental: American Literature and the Aesthetics of Knowledge. Baltimore: Johns Hopkins University Press, 2019. ∞
Darsie, Heather R. Anna, Duchess of Cleves: The King’s “Beloved Sister.” Stroud, Glos.: Amberley Publishing, 2019.
Dever, Maryanne. Paper, Materiality and the Archived Page. New Directions in Book History. London: Palgrave Macmillan UK, 2019.
Finque, Susan. “The Callao Contract of 1599: Actors Set the Stage for an Early Modern Lima.” In A Companion to Early Modern Lima, edited by Emily A. Engel, 424–41. Brill’s Companions to the Americas 2. Leiden: Brill, 2019.
Fraser, Alison. “Mass Print, Clipping Bureaus, and the Pre-Digital Database: Reexamining Marianne Moore’s Collage Poetics through the Archives.” Journal of Modern Literature 43, no. 1 (2019): 19–33. ∞
Frey, Lauren Carol. “Reading Revision: The Archival Imagination in Marianne Moore’s Early Poems.” Master’s thesis, Georgetown University, 2019.
Gilmore, Lois J. “A Legacy of Social Justice in Times of War and Peace: Authors Take Sides.” Virginia Woolf Miscellany 95 (Spring/Summer 2019): 15–16.
Graf, Klaus. “Ein Ostschwabe im Trentino: Johannes Anhang aus Bopfingen (gestorben 1447).” Archivalia (blog), June 16, 2019.
Green, Elspeth. “Popular Science and Modernist Poetry.” PhD dissertation, Princeton University, 2019.
Griffith, Gareth. “Romancing Geoffrey: Chaucer and Romance in the Manuscript Tradition.” In Rereading Chaucer and Spenser: Dan Geffrey with the New Poete, 137–49. Manchester: Manchester University Press, 2019.
Hancher, Michael. The Tenniel Illustrations to the “Alice” Books. Columbus: Ohio State University Press, 2019.
Izumi, Yasui. Fushigi no kuni no arisuten [The magic of Alice in Wonderland exhibition]. Tokyo: Toei Corp., 2019
Jiang, James. “Curious Self-Evidence: Graphology and Gusto in Marianne Moore’s Critical Prose.” Modernism/Modernity 26, no. 2 (April 2019): 375–98.
Kingsley-Smith, Jane. The Afterlife of Shakespeare’s Sonnets. Cambridge: Cambridge University Press, 2019.
Klimchynskaya, Anastasia. “‘The Laboratory of the Mind’s Eye’: Nineteenth-Century Science and the Emergence of Science Fiction.” PhD dissertation, University of Pennsylvania, 2019.
“Last Train to Transylvania.” Chris Tarrant: Extreme Railway Journeys. Whitworth Media for Channel 5 (UK), December 2, 2019.
Lynch, Jack. “England’s Ireland, Ireland’s England: William Henry Ireland’s National Offense.” In Literary Forgery in Early Modern Europe, 1450–1800, edited by Walter Stephens and Earle A. Havens, assisted by Janet E. Gomez. Baltimore: JHU Press, 2019.
Mackie, Gregory. Beautiful Untrue Things: Forging Oscar Wilde’s Extraordinary Afterlife. Toronto: University of Toronto Press, 2019. ∞
Mitchell, Dianne. “The Absent Lady and the Renaissance Lyric as Letter.” English Literary Renaissance 49, no. 3 (August 15, 2019): 304–29.
Moses, Nancy. “Ireland’s Shakespeare.” Journal of Art Crime 21 (Spring 2019).
Moskowitz, Golan. “Before Wild Things: Maurice Sendak and the Postwar Jewish American Child as Queer Insider-Outsider.” Images 12, no. 1 (October 2019): 85–94.
Myrone, Martin, and Amy Concannon. William Blake. London: Tate Publishing, 2019.
Piera, Montserrat. Women Readers and Writers in Medieval Iberia: Spinning the Text. Leiden: Brill, 2019.
Pollock, Ethan. Without the Banya We Would Perish: A History of the Russian Bathhouse. Oxford: Oxford University Press, 2019.
Sielke, Sabine. “Strange Animals in Stylish Habitats: Marianne Moore’s Poetry Revisited.” In An Eclectic Bestiary: Encounters in a More-than-Human World, edited by Birgit Spengler and Babette B. Tischleder, 123–40. Human-Animal Studies 20. Bielefeld: transcript-Verlag, 2019.
Stoker, Bram. Drafts of “Dracula.” Edited by Robert Eighteen-Bisang and Elizabeth Miller. Victoria, BC: Tellwell, 2019.
Stoker, Dacre, and Bram Stoker. Stoker on Stoker: Dracula Revealed. First edition. Telos Publishing, 2019. Ω
Tilles, Rebecca. “George and Florence Blumenthal: A Collecting Partnership in the Gilded Age, 1858–1941.” PhD dissertation, University of Sussex, 2019.
Williamson, Andrew. “Nothing to Say: Silence in Modernist American Poetry.” PhD dissertation, Princeton University, 2019.
2018
Bazin, Victoria. “Editorial Compression: Marianne Moore at the Dial Magazine.” In Twenty-First Century Marianne Moore: Essays from a Critical Renaissance, edited by Elizabeth Gregory and Stacy Carson Hubbard, 131–47. Modern and Contemporary Poetry and Poetics. Cham [Switzerland]: Springer International, 2018. ∞
Bentley, Jr, G.E. “Rosenbach and Blake.” Blake/An Illustrated Quarterly 51, no. 3 (January 24, 2018). Ω
Bogar, Thomas A. Thomas Hamblin and the Bowery Theatre: The New York Reign of “Blood and Thunder” Melodramas. Edited by Thomas A. Bogar. Palgrave Studies in Theatre and Performance History. Cham [Switzerland]: Springer International, 2018. Ω
Borland, Jennifer. “Moved by Medicine: The Multisensory Experience of Handling Folding Almanacs.” In Sensory Reflections: Traces of Experience in Medieval Artifacts, edited by Fiona Griffiths and Kathryn Starkey, 203–24. Sense, Matter, and Medium 1. Berlin: De Gruyter, 2018. ∞
Bowles, Hugo. Dickens and the Stenographic Mind. Oxford: Oxford University Press, 2018. Ω
Brooks, Freya Elizabeth Paintin. “The Female Audience of the Manuscripts of Chaucer’s ‘Canterbury Tales.’” PhD dissertation, University of Leicester, 2018.
Brown, Sherri L., Carol Senf, and Ellen J. Stockstill. A Research Guide to Gothic Literature in English: Print and Electronic Sources. Lanham, MD: Rowman & Littlefield, 2018. Ω
Burrows, Toby. “‘There Never Was Such a Collector since the World Began’: A New Look at Sir Thomas Phillipps.” In Collecting the Past: British Collectors and Their Collections from the 18th to the 20th Centuries, edited by Cynthia Johnston and Toby Burrows, First. London: Routledge, 2018. Ω
Cherewatuk, Karen, and Carson Koepke. “The Poet, the Painter, and the Bishop’s Wife: Chaucer on the Prairie.” The Chaucer Review 53, no. 4 (2018): 449–84. Ω
Clavier, Aurore. “‘The First Grace of Style’: Marianne Moore and the Writing of Dancing.” In Twenty-First Century Marianne Moore: Essays from a Critical Renaissance, edited by Elizabeth Gregory and Stacy Carson Hubbard, 203–19. Modern and Contemporary Poetry and Poetics. Cham [Switzerland]: Springer International, 2018. ∞
Cohen, Amy. “The Artful Side of Louis Magaziner & the Pow Wow Club.” Hidden City Philadelphia, July 27, 2018. ∞
Conrad, Joseph. The Nigger of the ‘Narcissus’. Edited by Allan H. Simmons. The Cambridge Edition of the Works of Joseph Conrad. Cambridge: Cambridge University Press, 2018.
Crispi, Luca. “The Genesis of ‘Penelope’ in Manuscript.” In James Joyce and Genetic Criticism: Genesic Fields, edited by Genevieve Sartor, 95–117. European Joyce Studies. Leiden: Brill Rodopi, 2018.
Demakos, Matthew. “Once I Was a Real Turtle: Tenniel’s Post-Publication Drawings and Tracings in the Berg Collection: Part II.” Knight Letter, no. 101 (Fall 2018): 10:20. https://archive.org/details/
Demakos, Matthew. “The Jabberwock, with Eyes of Flame.” Paper presented at the Lewis Carroll Society of North America fall meeting, Morgan Library, September 22, 2018
Drimmer, Sonja. The Art of Allusion. Philadelphia: University of Pennsylvania Press, 2018. ∞
Finch, Zachary. “‘Passion for the Particular’: Marianne Moore, Henry James, Beatrix Potter, and the Refuge of Close Reading.” In Twenty-First Century Marianne Moore: Essays from a Critical Renaissance, edited by Elizabeth Gregory and Stacy Carson Hubbard, 221–35. Modern and Contemporary Poetry and Poetics. Cham [Switzerland]: Springer International, 2018. ∞
Fried, Michael. What Was Literary Impressionism? Cambridge, MA: Harvard University Press, 2018. Ω
Fried, Stephen. “Rediscovering a Founding Mother.” Smithsonian Magazine, September 2018. ∞
Fried, Stephen. Rush: Revolution, Madness, and the Visionary Doctor Who Became a Founding Father. New York: Crown, 2018. ∞
Gabler, Hans Walter. Text Genetics in Literary Modernism and Other Essays. Cambridge: Open Book Publishers, 2018. ∞
Galvin, Rachel Judith. News of War: Civilian Poetry, 1936–1945. Oxford: Oxford University Press, 2018. ∞
Garbo’s Eyes. Documentary short. In the Midst Productions, 2018. ∞
Green, Fiona. “Moore’s Numbers.” In Twenty-First Century Marianne Moore: Essays from a Critical Renaissance, edited by Elizabeth Gregory and Stacy Carson Hubbard, 49–65. Modern and Contemporary Poetry and Poetics. Cham [Switzerland]: Springer International, 2018. ∞
Gregory, Elizabeth. “Is Andy Warhol Marianne Moore? Celebrity, Celibacy and Subversion.” In Twenty-First Century Marianne Moore: Essays from a Critical Renaissance, edited by Elizabeth Gregory and Stacy Carson Hubbard, 237–51. Modern and Contemporary Poetry and Poetics. Cham [Switzerland]: Springer International, 2018. ∞
Haywood, Ian. “The Spanish ‘Revolution’ in Print and Image.” In Spain in British Romanticism: -1800–1840, edited by Diego Saglia and Ian Haywood, 215–40. Nineteenth-Century Major Lives and Letters. Cham [Switzerland]: Springer International, 2018. Ω
Hubbard, Stacy Carson. “Yellow Roses and Bulbuls: Marianne Moore’s Persian Effects.” In Twenty-First Century Marianne Moore: Essays from a Critical Renaissance, edited by Elizabeth Gregory and Stacy Carson Hubbard, 67–85. Modern and Contemporary Poetry and Poetics. Cham [Switzerland]: Springer International, 2018. ∞
Imholtz, Clare. “Carroll’s Publishing History with Macmillan: A Research Narrative.” Knight Letter, no. 100 (Spring 2018): 18–22. ∞
Johnson, Samuel. Johnson on Demand: Reviews, Prefaces, and Ghost Writings. Edited by O M Brack, Jr. and Robert Demaria, Jr. Works of Samuel Johnson 20. New Haven: Yale University Press, 2018. Ω
Lau, Travis Chi Wing. “Prophylactic Fictions: Immunity and Biosecurity.” PhD dissertation, University of Pennsylvania, 2018. ∞
Lazevnick, Ashley. “Precisionism in the Long 1920s.” PhD dissertation, Princeton University, 2018. ∞
Leader, Jennifer L. “‘The Teacher Was Speaking of Unrhymed Verse’: Marianne Moore, E. H. Kellogg, and the Poetry of Modernist Hermeneutics.” In Twenty-First Century Marianne Moore: Essays from a Critical Renaissance, edited by Elizabeth Gregory and Stacy Carson Hubbard, 113–28. Modern and Contemporary Poetry and Poetics. Cham [Switzerland]: Springer International, 2018. ∞
Leavell, Linda. “Advertising Moore.” In Twenty-First Century Marianne Moore: Essays from a Critical Renaissance, edited by Elizabeth Gregory and Stacy Carson Hubbard, 273–75. Modern and Contemporary Poetry and Poetics. Cham [Switzerland]: Springer International, 2018. ∞
Makala, Jeffrey. “Print on Demand: Stereotyping and Electrotyping in the United States Printing Trades and Publishing Industry, 1812–1860.” PhD dissertation, University of South Carolina, 2018. ∞
Malay, Michael. The Figure of the Animal in Modern and Contemporary Poetry. Palgrave Studies in Animals and Literature. Cham [Switzerland]: Springer International, 2018. ∞
McRae, Emma. Wonderland: Alice on Screen. Port Melbourne, Vic: Thames & Hudson Australia for the Australian Centre for the Moving Image, 2018. Ω
Melville in Love. Documentary. Newton’s Law Productions, 2018. ∞
Miller, Cristanne. “Documenting Moore.” In Twenty-First Century Marianne Moore: Essays from a Critical Renaissance, edited by Elizabeth Gregory and Stacy Carson Hubbard, 265–68. Modern and Contemporary Poetry and Poetics. Cham [Switzerland]: Springer International, 2018. ∞
Miller, Cristanne. “The Marianne Moore Digital Archive and Feminist Modernist Digital Humanities.” Feminist Modernist Studies 1, no. 3 (September 2, 2018): 257–68. ∞
Miller, Julia. Meeting by Accident: Selected Historical Bindings. Ann Arbor: The Legacy Press, 2018. Ω
Monks, Katherine H. “‘Men Have Power’: A Feminist Reclamation of Marianne Moore’s ‘Marriage.’” Undergraduate honors thesis, Washington and Lee University, 2018. ∞
Morse, Daniel Ryan. “Sounding Dismodernism in James Joyce’s Ulysses.” Journal of Literary & Cultural Disability Studies 12, no. 4 (November 1, 2018): 459–75. ∞
Moskowitz, Golan. “Wild Outside in the Night: Maurice Sendak, Queer American Jewishness, and the Child.” PhD dissertation, Brandeis University, 2018. ∞
Pippenger, C. E. “Finding Edward Wigglesworth’s Lost Diary.” Journal of the American Revolution, October 11, 2018. Ω
Slote, Sam. “Correcting Joyce: Trial and Error in the Composition of Ulysses.” In James Joyce and Genetic Criticism: Genesic Fields, edited by Genevieve Sartor, 55–68. European Joyce Studies. Leiden: Brill Rodopi, 2018.
Stephens, Lannyl. “They Dwelt on West 9th Street: Marianne Moore, Mother of Modernism.” Blog. Off the grid: Village Preservation blog, August 15, 2018. Ω
Stern, Philip J. “The Corporation and the Global Seventeenth-Century English Empire: A Tale of Three Cities.” Early American Studies, an Interdisciplinary Journal 16, no. 1 (Winter 2018): 41–63. Ω
Stoker, Dacre, and J. D. Barker. Dracul. New York: G. P. Putnam’s Sons, 2018. ∞
Sutton, David C. “Introduction: Literary Papers as the Most ‘Diasporic’ of All Archives.” In The Future of Literary Archives: Diasporic and Dispersed Collections at Risk, edited by David C. Sutton and Ann Livingstone. Leeds: Arc Humanities Press, 2018. Ω
Taylor, Kristen Neville. “FOREVER MORE.” Exhibition, Fleisher Art Memorial, Philadelphia, April 6, 2018. ∞
Tryphonopoulos, Demetres. “Ezra Pound and Marianne Moore’s Shift from Syllabic Verse to Free Verse (1921-25).” Paper presented at the Annual Conference of the Modern Language Association, New York, January 5, 2018. ∞
White, Heather Cass. “Editing Moore.” In Twenty-First Century Marianne Moore: Essays from a Critical Renaissance, edited by Elizabeth Gregory and Stacy Carson Hubbard, 277–80. Modern and Contemporary Poetry and Poetics. Cham [Switzerland]: Springer International, 2018. ∞
2017
Abate, Michelle Ann, and Sarah Bradford Fletcher. “‘Staring into All Their Yellow Eyes’: Where the Wild Things Are, the 1960s, and the Vietnam War.” International Research in Children’s Literature 10, no. 1 (June 14, 2017): 59–73. Ω
Abbott, James Archer, Earle Havens, Bodil Ottesen, and Susan G. Tripp. Evergreen: The Garrett Family, Collectors and Connoisseurs. JHU Press, 2017 ∞
Allen, Edward. “‘Spenser’s Ireland,’ December 1941: Scripting a Response.” Twentieth-Century Literature 63, no. 4 (December 1, 2017): 451–74. ∞
Bargen, Darrel W. “The English Manuscripts of Walter Hilton’s ‘Scala Perfectionis’: An Assessment of Reception.” PhD dissertation, University of Alberta, 2017. Ω
Battershill, Claire, Helen Southworth, Alice Staveley, Michael Widner, Elizabeth Willson Gordon, and Nicola Wilson. Scholarly Adventures in Digital Humanities: Making the Modernist Archives Publishing Project. New Directions in Book History. Cham [Switzerland]: Palgrave Macmillan, 2017. Ω
Bentley, Jr, G. E. “William Blake and Richard Edwards as Joint Venturers in Young’s Night Thoughts (1797).” Notes and Queries 64, no. 4 (December 1, 2017): 552–56. Ω
Bidwell, John. “Morgan’s Bibles.” Paper presented at the Morgan: Mind of the Collector, Wadsworth Atheneum, Hartford, CT, November 10, 2017. ∞
Bonachera García, Ana Isabel. “Drácula, un acercamiento a la caracterización del personaje vampírico: perspectivas narratológicas.” Brumal: revista de investigación sobre lo fantástico 5, no. 1 (June 30, 2017): 277–92. Ω
Borland, Jennifer, and Karen Eileen Overbey. “Diagnostic Performance and Diagrammatic Manipulation in the Physician’s Folding Almanacs.” In The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation, edited by Grażyna Jurkowlaniec, Ika Matyjaszkiewicz, and Zuzanna Sarnecka, 144–56. Routledge Research in Art History. London: Routledge, 2017. ∞
Bristow, Joseph, and Rebecca N. Mitchell. “The Provenance of Oscar Wilde’s ‘Decay of Lying.’” The Papers of the Bibliographical Society of America 111, no. 2 (May 2, 2017): 221–40. ∞
Burrows, Toby. “Manuscripts of Sir Thomas Phillipps in North American Institutions.” Manuscript Studies 1, no. 2 (October 31, 2017). ∞
Capogna, Frank Robert. “Beyond the Frame: Modernist Ekphrasis and Museum Politics.” PhD dissertation, Northeastern University, 2017. ∞
Cazacu, Matei. Dracula. Translated by Stephen Reinert. East Central and Eastern Europe in the Middle Ages, 450-1450 46. Leiden: Brill, 2017. Ω
Comiskey, Leah. “Hands-on Access to Text-Based Objects for Visitors in Museums, Archives, and Libraries.” Master’s thesis, The University of the Arts, 2017. ∞
Crispi, Luca. “A New Census of Ulysses Holograph Manuscripts.” Genetic Joyce Studies, no. 17 (Spring 2017). Ω
Crispi, Luca. “A Ulysses Manuscripts Workbook.” Genetic Joyce Studies, no. 17 (Spring 2017). Ω
Crowley, Ronan. “Looking at Animals without Seeing Them: Havelock Ellis in the ‘Circe’ Episode of Ulysses.” Humanities 6, no. 3 (September 2017): 73. ∞
Drimmer, Sonja. “The Manuscript as an Ambigraphic Medium: Hoccleve’s Scribes, Illuminators, and Their Problems.” Exemplaria 29, no. 3 (September 1, 2017): 175–94. ∞
DuComb, Christian. Haunted City: Three Centuries of Racial Impersonation in Philadelphia. Ann Arbor: University of Michigan Press, 2017. Ω
Eisenman, Stephen F. William Blake and the Age of Aquarius. Evanston, IL: Block Museum of Art, Northwestern University, 2017.
Eyre, Jodi Reeves, John C Maclachlan, and Christa Williford, eds. A Splendid Torch: Learning and Teaching in Today’s Academic Libraries. CLIR Publication 174. Washington, DC: Council on Library and Information Resources, 2017. Ω
Finque, Susan Beth. “Re-Stor(y)Ing Theatre History in the Americas: Professional Players and the Callao Contract of 1599.” PhD dissertation, University of Washington, 2017. ∞
Fraser, Alison Whitney. “Homemade (Post)Modernisms: Ephemeral Objects in the Twentieth-Century American Poetry Archive.” PhD dissertation, State University of New York at Buffalo, 2017. ∞
Gagnon, Katie. “Tilting at Vampires.” Paper presented at the Northeast Popular/American Culture Association conference, Amherst, MA, October 28, 2017. ∞
Geiger, Lauren. “Ecocriticism, Geopolitics, and John Gower’s ‘Confessio Amantis.’” Undergraduate honors thesis, Ursinus College, 2017. ∞
George, Sam. “Spirited Away: Dream Work, the Outsider, and the Representation of Transylvania in the Pied Piper and Dracula Myth in Britain and Germany.” In Dracula: An International Perspective, edited by Marius-Mircea Crișan, 69–93. Palgrave Gothic. Cham [Switzerland]: Springer International, 2017. Ω
Green, Fiona. “Moore, Pound, Syllabics, and History.” Twentieth Century Literature 63, no. 4 (December 1, 2017): 427–50. ∞
Grossman, Jacob Hughes. “The Occupation of Philadelphia and Public History.” Master’s thesis, Temple University, 2017. ∞
Hook, David. The Hispanic, Portuguese, and Latin American Manuscripts of Sir Thomas Phillipps. Vol. 1. Publications of the Magdalen Iberian Medieval Studies Seminar 5. Westbury on Trym: Fontaine Notre Dame/David Hook, 2017. Ω
Imholtz, August A. “His Master’s Voice and Alice: Eldridge Johnson’s Adventure with Lewis Carroll’s Alice Manuscript.” Paper presented at the Lewis Carroll Society of North America fall meeting, University of Delaware, October 28, 2017 ∞
Jasanoff, Maya. The Dawn Watch: Joseph Conrad in a Global World. New York: HarperCollins, 2017. ∞
Kells, Stuart. The Library: A Catalogue of Wonders. Melbourne: Text Publishing, 2017. Ω
Knighton, Mary A. “William Faulkner’s Illustrious Circles: Double-Dealing Caricatures in Style and Taste.” In Faulkner and Print Culture, edited by Jay Watson, Jaime Harker, and James G. Thomas, 28–50. Jackson: University Press of Mississippi, 2017. Ω
Macpherson, Heather J. “Bestial & Untamed: Relational Episodes in Animal Poems by Elizabeth Bishop & Marianne Moore.” Master’s thesis, Worcester State University, 2017 ∞
Magid, Annette M., ed. Quintessential Wilde: His Worldly Place, His Penetrating Philosophy and His Influential Aestheticism. Newcastle upon Tyne: Cambridge Scholars Publishing, 2017. ∞
McBreen, Ellen, and Helen Burnham. Matisse in the Studio. Edited by Anna Barnet. First. Boston: MFA publications, Museum of Fine Arts, Boston, 2017. Ω
McSherry, Síofra. “The Burden of Return: The Gift in the Poetry of Marianne Moore.” PhD dissertation, Freie Universität Berlin, 2017. ∞
Mitchell, Dianne. “‘Or Rather a Wyldernesse’: The Changing Works of Dudley, Third Baron North.” Studies in Philology 114, no. 2 (2017): 368–94. ∞
Mitchell, Dianne. “Unfolding Verse: Poetry as Correspondence in Early Modern England.” PhD dissertation, University of Pennsylvania, 2017. ∞
Moore, Marianne. New Collected Poems. Edited by Heather Cass White. New York: Farrar, Straus and Giroux, 2017. ∞
Moskowitz, Golan. “Wild, Outside, in the Night: Maurice Sendak, Queer American Jewishness, and the Child.” UConn Archives and Special Collections Blog (blog), February 2, 2017. ∞
Nair, Rathin Radhakrishnan. “Metadata Analysis in Unstructured Documents Using Classical and Deep Learning Methods.” PhD dissertation, State University of New York at Buffalo, 2017. Ω
O’Donnell, Mary Ann. “‘Part Four: MS Eng 623, Houghton Library, Harvard University’ in ‘A Survey of the Poetry Collection in Manuscript of the Noble Family of Huntingdon.’” Harvard Library Bulletin 28, no. 3 (Fall 2017): 45–168. Ω
Pérez-Fernández, Tamara. “Shared Exemplars and the Creation of Miscellanies in the Manuscripts of Troilus and Criseyde.” In The Dynamics of the Medieval Manuscript: Text Collections from a European Perspective, edited by Karen Pratt, Bart Besamusca, Matthias Meyer, and Ad Putter, 241–56. Göttingen: V&R unipress GmbH, 2017. Ω
Phillips, Patricia C., and Susan Lubowsky Talbott. Ann Hamilton: Habitus. Philadelphia: Fabric Workshop and Museum, 2017. ∞
Phillips, Siobhan. “The Students of Marianne Moore.” Poetry Foundation, March 14, 2017. ∞
Qian, Zhaoming. East-West Exchange and Late Modernism: Williams, Moore, Pound. Charlottesville: University of Virginia Press, 2017. Ω
Ramsay, Nigel. “Towards a Universal Catalogue of Early Manuscripts: Seymour de Ricci’s Census of Medieval and Renaissance Manuscripts in the United States and Canada.” Manuscript Studies 1, no. 1 (June 6, 2017). ∞
Roos, Hans Corneel de. “Count Dracula’s Address and Lifetime Identity.” In Dracula: An International Perspective, edited by Marius-Mircea Crișan, 95–118. Palgrave Gothic. Cham [Switzerland]: Springer International, 2017. Ω
Schoenberg Database of Manuscripts. Database, 2017. ∞
Schulze, Robin G. “Theme and Variations in American Verse: H.D., Marianne Moore, and Wallace Stevens.” In The Cambridge History of Modernism, 768–85. Cambridge: Cambridge University Press, 2017. ∞
Scott, Patrick. “‘Not in Egerer’? (Some of) What We Still Don’t Know about Burns Bibliography.” Studies in Scottish Literature 43, no. 1 (2017): 309–20. Ω
Scott, Patrick. “Robert Burns’s Hand in ‘Ay Waukin, O’: The Roy Manuscript and William Tytler’s Dissertation (1779).” Studies in Scottish Literature 43, no. 1 (May 1, 2017): 137–51. Ω
Stern, David. The Jewish Bible: A Material History. Seattle: University of Washington Press, 2017. ∞
Szczypien, Jean M. “Sailing towards Poland” with Joseph Conrad. New York: Peter Lang, 2017. ∞
Tomlin, T. J. A Divinity for All Persuasions: Almanacs and Early American Religious Life. New York: Oxford University Press, 2017. ∞
Volk, Alicia. “The Image of the Black in Japanese Art: Nineteenth Century to the Present Day.” In The Image of the Black in African and Asian Art, edited by David Bindman, Suzanne Preston Blier, and Henry Louis Gates, Jr. Cambridge, MA: Belknap Press of Harvard University Press, 2017. ∞
Weirzbicki, James. “Vampires: What Music They Make!” Journal of Dracula Studies 19 (2017): 25–49 Ω
White, Heather Cass. “‘Pigeons’ and the Future of Moore Criticism.” Twentieth Century Literature 63, no. 4 (December 1, 2017): 385–404. ∞
Wilde, Oscar. The Complete Works of Oscar Wilde, Vol. 8: The Short Fiction. Edited by Ian Small. Oxford: Oxford University Press, 2017. Ω
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