Columbia lamenting the loss of her son. Philadelphia: Pember & Luzarder, 1800. Rosenbach Museum & Library 1954.797 |
The text at the bottom explains what’s going: “Columbia lamenting the loss of her Son/ Who redeem’d her from Slav’ry & Liberty won/While Fame is directed by Justice to Spread/The sad tidings afar that Washington’s dead.” The mourning woman on the left represents Columbia, while the woman on the right represents Justice, who is pointing to Fame, which is embodied as an angel with a trumpet. The print also offers a pithy epitaph for Washington, “Lived respected and Fear’d – Died Lamented and rever’d.”
The picture is awash with the classical imagery that was so popular at the time: Washington’s image (after the Stuart portrait) sits atop a giant urn and obelisk. Not to mention the allegorical figures themselves. I’m sure the palm trees must have some classical or symbolic significance, but I confess I don’t know what. This interview from curator Kim Ivey from Colonial Williamsburg talks about some of the popular symbols found in mourning art and also about the role of Washington’s death in contributing to a fashion for all types of mourning pictures, needlework, jewelry, etc. Some of it was Washington’s popularity, but there were cultural factors as well, such as “the neoclassical movement, the study of Greek and Roman ruins,
just the whole religious movement during the 18th century, and free
will.” She notes that the death of Princess Charlotte in England in 1817 also set off a great period of mourning.
If you’re feeling the urge to remember George Washington, mark your calendar for the Rosenbach’s Founding Fathers Hands-on-Tour being offered at 3 PM on January 4.